Jackson Crawford

Thor, Odin, Loki, Freyja, the Valkyries, Valhalla, Ragnarok-many of the places we encounter these and other names, places, and events from Norse mythology in daily life and pop culture are connected to the medieval sources in name only. Join Jackson Crawford, a translator of Old Norse, for a rousing introduction to the original stories, characters, and themes of Norse mythology in these 24 lectures. Packed with gods, anti-gods, magical figures, human...

From the translator of the bestselling Poetic Edda comes a gripping new rendering of two of the greatest sagas of Old Norse literature. Together the two sagas recount the story of seven generations of a single legendary heroic family and comprise our best source of traditional lore about its members-including, among others, the dragon slayer Sigurd, Brynhild the Valkyrie, and the Viking chieftain Ragnar Lothbrok.

The world is destroyed by evil, repopulated by good, then threatened anew by surviving evil. Ragnarok isn't the final triumph of good envisioned by mainstream Christianity-but is it a cycle of ages akin to that envisioned by the ancient Maya? Explore a Norse apocalypse that seems amoral and simply inevitable.

Meet the complicated, ambivalent figure who lives alongside the gods but compulsively troubles them. Among the stories recounted here include the worst of Loki's affairs (with an anti-goddess named "sorrow-offerer") and his three ill-prophesied children: the huge wolf Fenrir, the goddess Hel, and the world-sized serpent Jormungand.

The "Eddas" usually refer to the gods collectively as "the Aesir." But there's another term for a more specific family of gods that occurs now and then: "the Vanir." Meet the three Vanir whose names we know (the obscure Njorth and his twin children, Frey and Freyja) and consider some of the many social differences between families of the gods.

Turn now to the single-most often-named goddess and the prize the gods' enemies constantly seek to seize. Any encounter with Freyja includes an encounter with the most prominent female figures in Norse mythology at her command-the Valkyries, positioned somewhere between mere mortals and the divine.

Odin's son, Balder, was a god so beloved (in fact, his Old Norse name is likely related to ancient words for brightness and light) that his shocking death is one of the principal stories of the "Eddas." Consider two different angles on this story-one of which offers more logical coherence by omitting the presence of the trickster Loki.

Take a closer look at some of the most important stories of Thor's exploits as fighter and defender against the gods' enemies. Some of these tales emphasize his dangerousness; others are imbued with humor. Above all, Thor is a god of the common people, willing to embark on hard work, while shrugging off occasional humor at his expense.

One way to better understand the stories of Norse mythology, and the way those stories are told, is to think about dreams. Using a key story from Norse mythology (the tale of how Odin got the mead of poetry from the gods' enemies), compare two versions that highlight the "dream logic" inherent to much of Norse mythology.

Consider the relations between the Norse gods and normal, everyday human beings. What does it look like to compare pre-Christian Norse paganism with the Judeo-Christian communities of today (including their holy days)? What can we learn from relics unearthed from archaeological sites, such as Lunda?